What this is

Option structures, attachment strategy and producer introductions. An option is not a production, and the difference is in the clauses.

What it looks like in practice

  • Option period, extension and lapse terms
  • Attachment rights and creative involvement
  • Producer and studio targeting
  • Reversion protection

What you get

Deliverables, stated up front.

Included in scope

  • Option term recommendations
  • Attachment strategy
  • Producer and studio approach
  • Reversion and lapse protection

Where it sits

Part of Books & IP.

Publishing, adaptation and rights counsel.

See the whole practice

Frequently asked

Screen Adaptation, in plain terms.

How long is a typical option?

Twelve to eighteen months with extension rights. Longer terms should cost the producer more.

Do I get creative involvement?

Only if contracted. Consultation rights are negotiable and rarely offered unprompted.

What if the option lapses?

Rights return to you if the contract says so. If it does not, that is the problem.

In more depth

An option is not a production.

See the whole practice

Most options never become productions

Understanding option periods, extensions and lapse terms is what separates a payday from a book locked up for five years.

Attachment rights shape involvement

Whether you have any creative role, and whether you can be removed, is decided at option, not later.

Reversion protects the asset

Without clear lapse terms, unexercised options can effectively freeze a property indefinitely.

Also in Books & IP

Related services.

Non FictionFictionTranslation RightsAudio Rights

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