What this is

Annual conferences, dealer meets, product launches and offsites. Reliable, well paid work with a completely different buyer to the ticketed market.

What it looks like in practice

  • Corporate buyer targeting and materials
  • Fee structuring for corporate budgets
  • Content adaptation for corporate audiences
  • Repeat booking relationship development

What you get

Deliverables, stated up front.

Included in scope

  • Corporate speaker or performer pack
  • Fee structure
  • Adapted set or programme
  • Relationship and repeat booking plan

Where it sits

Part of Live & Touring.

Tour architecture, festival programming and private stage strategy.

See the whole practice

Frequently asked

Corporate Stages, in plain terms.

How do corporate bookings arrive?

Referral, agencies and direct outreach. Direct relationships pay best and take longest to build.

Do I need different material?

Usually adapted, not replaced. The judgement is about context, not compromise.

What do corporates pay?

Reliably and on schedule, at rates comparable to or above ticketed work for established names.

In more depth

A different buyer entirely.

See the whole practice

The buyer is not the audience

An HR head or event producer books. What they need is confidence you will not embarrass them, which is what your materials must supply.

Corporate budgets are structured differently

Approval cycles are long and rates are less negotiable but more reliable. Planning for that changes how you sell.

Content needs genuine adaptation

Material that works in a ticketed room frequently does not work at an annual conference. Adaptation is not censorship; it is audience fit.

Also in Live & Touring

Related services.

Concert TouringFestivals & PropertiesElectronic & DJPrivate & Wedding

Start here

Talk to us about access and representation.

Send a brief → How we work